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Painting The Blue Rider in Sieverts Password Encryption
Posted by Admin | Posted in Band Group, Jazz News | Posted on 05-02-2011
In the realistic to the abstract transition, a group of painters in Munich joined “Der Blaue Reiter” (The Blue Rider) as a reaction to the work of Wassily Kadinsky refusal of an exhibition. Work that is not natural, not real, ahead of its time, automatic visits of foreign and strange. Kadinsky sympathizers are taking a risk by generating the things that are not visible when looking from a real object, by showing exactly what the reality behind the object in person by the emotions the artist. So, the cow can be yellow (“Die gelbe Kuh”) as described Franz Marc; and in 1911, the yellow cow is “madness”.
“Mad cow jumping here and there”, according to Henning Sieverts, bassist-celloist Munich who works closely group “Der Blaue Reiter” almost 100 years later by then appreciate the casting composition. Sieverts reaction to mad cow-Marc is to translate BSE (medical abbreviation for mad cow disease) as the main melody of a 12 bar blues. BSE is considered as a code notation: B, Eb (E moll or read Es), and E are the chromosomes of this blues. Not stop at his bar 12 alone, there were 12 barrel (half-tones) is also a melodic B-Eb-E go in pitch different to build a whole series of this song. Code is repeatedly by mad cow (BSE) hidden neatly in a step slow blues. Sieverts was fond encrypted. Contrary to see “behind the reality”, the encoding of reality to hide behind something tangible.
Sieverts encryption so subtle jazz still packed easily digestible without being haunted. Even for a solo “Improvisation 26″, warm and friendly is its theme. This improvisation is the reaction of paddle-boat painting Kadinsky with lines reminiscent of the Sieverts bass strings betot. Because we are still talking jazz here, there remain challenges, such as encoding Kadinsky birthday 4-12-1866 in some half steps and whole steps in accordance digit symbol. Or, from the wording of the name of the notation Bach Bb, A, C, H (B natural). Why Bach? The answer is because of Paul Klee, one of the painters “Der Blaue Reiter” is a violinist who also enjoyed the Bach. In particular, the associated painting is about a big fight which is described by Klee Foehn winds that blow in Bavaria.
Throughout the show (09/10 / ’09) assisted with visualization viewers paintings are recognized well by the Sieverts. In addition to daily visit the museum in Munich to enjoy the “Der Blaue Reiter”, she never took well to the church of Saint-Severin in Paris to see for themselves the object of the original paintings of Robert Delaunay. However, work outside Sieverts presentation night was actually a very broad scope. Knew the works of this painting one of the only evidence of his efforts go into. Class composition executed by Sieverts tough tenor saxophone duet Till Martin (also blew soprano) and Hugo Siegmeth (also blow the flute) with the support of drummer Bastian Jütte. This quartet is the second time the German musicians playing for Porch Jazz, a platform that supports authentic live performances.
